Your Sun  hand-painted canvas gown  .  .  .  .  .  .

Your Sun

hand-painted canvas gown

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SOON
SOON

Mixed media collage

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Corset
Corset

A geometric garment made from hand-painted canvas, partly hand-sewn and machine-sewn. The challenge was to design a costume for a Goth character making use of primary colors.

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SYZYGY
SYZYGY

Trans Pride Los Angeles presents SYZYGY, a gallery exhibition curated by Marval A. Rex on display at the Advocate & Gochi Galleries located at the The Village at Ed Gould Plaza during Trans Pride LA 2022, and beyond!

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SYZYGY
SYZYGY

Featuring an interdisciplinary cornucopia of artworks from Cade Moga, D Hill, Emily Lucid, Van Jazmin, Marval A Rex, and Yozmit.

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SYZYGY
SYZYGY

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SYZYGY
SYZYGY

Poem reads:

HA HA HAVE YOU EVER

SEEN

A ROCKET

SELF-SHATTER

AS IT ENTERS THE

ATMOSPHERE

[at the wrong angle]?

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IS THE EARTH TO BLAME?

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SYZYGY
SYZYGY

Screening films by Cade Moga, D Hill, and Yozmit

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Antropia Nacional
Antropia Nacional

Essa mostra é resultado do trabalho de curadoria, entre 130 propostas, de obras de arte que discutem e tensionam aspectos antropológicos e históricos de populações em nosso país-mãe e os diversos elementos que compõem nosso imaginário cultural, com intuito de refletir sobre o cenário do fazer artístico contemporâneo no Brasil e estimular a profusão de novos nomes da cena artística.

Antropia Nacional
Antropia Nacional

Corrupção Corporal um curta para a exposição coletiva Antropia Nacional

Galeria Plexi

São Paulo, Brasil

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Antropia Nacional
Antropia Nacional

Corrupção Corporal um curta para a exposição coletiva Antropia Nacional

Galeria Plexi

São Paulo, Brasil

Antropia Nacional
Antropia Nacional

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Antropia Nacional
Antropia Nacional

Curadoria Gabriel Babolim

Montagem fina Erick Martinelli

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 Cat Call  .  .  personal lubricant + lipstick on bedding  cut into diaper   .  .  .  .  .  .  .  .  .

Cat Call

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personal lubricant + lipstick on bedding

cut into diaper

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The Curse of Symmetry
The Curse of Symmetry

Window installation for Coaxial Arts Foundation, Los Angeles.

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 I see myself  as I break out from my relentless swaddle  What have I become?  My wings are stained  with the eyes of the owl who haunts me  I have no insides   I am only a mirror

I see myself

as I break out from my relentless swaddle

What have I become?

My wings are stained

with the eyes of the owl who haunts me

I have no insides

I am only a mirror

 Let me walk the earth again!  Let me move my limbs without symmetry  There is no freedom in flight   I will never reach the fickle moon  I cannot live in shame  I choose the flame    .  .  .  .  .  .  .  .

Let me walk the earth again!

Let me move my limbs without symmetry

There is no freedom in flight

I will never reach the fickle moon

I cannot live in shame

I choose the flame

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Solitude's Crowded with Loneliness
Solitude's Crowded with Loneliness

Acrylic on transparency, craft paper

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Kingdom
Kingdom

Phallic sex toys had gained a new uncomfortable meaning. I made casts out of them. The originals are unbreakable but the copies are frail. I reassembled the pieces, they resembled the ruins of a broken empire. At the highest tower, a vile of factory-made Testosterone. The base: cast from a toilet lid.

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Prince
Prince

Acrylic on fabric on tennis racket + pearl

Phantasmagoria

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The Clowns must pay 20
The Clowns must pay 20

Photography on acetate, acrylic frame, used syringes

Phantasmagoria

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  Phantasmagoria   .  .  .  .  .  .  .  .
One Child Policy
One Child Policy

Photography on acetate, acrylic frame, used syringes

Phantasmagoria

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Clowns
Clowns

Colored pencil on paper

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 OFF  Cast of my foot. I had been purging my closet of accessories used throughout my life as a woman. I was convinced that I was no longer attached.  _  _  _  _  _  _  _  _  _

OFF

Cast of my foot. I had been purging my closet of accessories used throughout my life as a woman. I was convinced that I was no longer attached.

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Porcoration
Porcoration

Acrylic on paper

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Objects of Pleasure
Objects of Pleasure

After 8 years of having a pair of silicone prosthetics inside my breasts, I had them explanted. Both surgeries were performed by my father. I kept the prosthetics, they were branded with the word ‘Silimed’. Here, the explants perform as hamburger buns, cradling a raw beef burger patty. A cup of milk is being decanted.

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 I installed atop of it the silicone mammary implants that were inside me for 8 years.  _  _  _

I installed atop of it the silicone mammary implants that were inside me for 8 years.

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_

 The meat began to ooze and rot, Camille’s flowers wilted, and Sam’s limbless torso waited patient-ly.    Installed as part of the show ‘Objects of Pleasure’ which took place at Post Gallery, curated by Mabel Moore.   _  _  _  _  _  _  _  _  _

The meat began to ooze and rot, Camille’s flowers wilted, and Sam’s limbless torso waited patient-ly.

Installed as part of the show ‘Objects of Pleasure’ which took place at Post Gallery, curated by Mabel Moore.

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Riding The Carousel With A Nose Bleed
Riding The Carousel With A Nose Bleed

My father always wanted a son. When I was 21 he re-married and produced a son. Portrait of my father holding my half-brother. Painted in strawberry jam + powdered sugar, preserved within resin.

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 I was designated a space within the gallery to instal my work. I noticed this wall,  which served as a dividing segment within the room. I requested an extra 8 inches of wall space: the edge of the room divider. I built a mirror mounted on wood to f

I was designated a space within the gallery to instal my work. I noticed this wall, which served as a dividing segment within the room. I requested an extra 8 inches of wall space: the edge of the room divider. I built a mirror mounted on wood to fit the edge. The mirror reflected my installation across the room: I often find myself in borders. Exhibited as part of the group show ‘We Are Making People’s Days as Much as We are Ruining Them” which took place at Otis College of Art & Design.

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 Your Sun  hand-painted canvas gown  .  .  .  .  .  .
SOON
Corset
SYZYGY
SYZYGY
SYZYGY
SYZYGY
SYZYGY
Antropia Nacional
Antropia Nacional
Antropia Nacional
Antropia Nacional
Antropia Nacional
 Cat Call  .  .  personal lubricant + lipstick on bedding  cut into diaper   .  .  .  .  .  .  .  .  .
The Curse of Symmetry
 I see myself  as I break out from my relentless swaddle  What have I become?  My wings are stained  with the eyes of the owl who haunts me  I have no insides   I am only a mirror
 Let me walk the earth again!  Let me move my limbs without symmetry  There is no freedom in flight   I will never reach the fickle moon  I cannot live in shame  I choose the flame    .  .  .  .  .  .  .  .
Solitude's Crowded with Loneliness
  Phantasmagoria   .  .  .  .  .  .
Kingdom
  Phantasmagoria   .  .  .  .  .  .  .
Prince
The Clowns must pay 20
  Phantasmagoria   .  .  .  .  .  .  .  .
One Child Policy
Clowns
 OFF  Cast of my foot. I had been purging my closet of accessories used throughout my life as a woman. I was convinced that I was no longer attached.  _  _  _  _  _  _  _  _  _
Porcoration
Objects of Pleasure
 I installed atop of it the silicone mammary implants that were inside me for 8 years.  _  _  _
 _  _  _
 The meat began to ooze and rot, Camille’s flowers wilted, and Sam’s limbless torso waited patient-ly.    Installed as part of the show ‘Objects of Pleasure’ which took place at Post Gallery, curated by Mabel Moore.   _  _  _  _  _  _  _  _  _
 -  -  -  -  -  -  -  -  -  -
 ice   -  -  -  -  -  -  -  -  -
Riding The Carousel With A Nose Bleed
 -  -  -  -  -  -  -  -  -  -
 -  -  -  -  -  -  -  -  -  -
 -  -  -  -  -  -  -  -  -  -
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 -  -  -  -  -  -  -  -  -  -
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 I was designated a space within the gallery to instal my work. I noticed this wall,  which served as a dividing segment within the room. I requested an extra 8 inches of wall space: the edge of the room divider. I built a mirror mounted on wood to f
 -  -  -  -  -  -  -  -  -  -
 -  -  -  -  -  -  -  -  -  -

Your Sun

hand-painted canvas gown

.

.

.

.

.

.

SOON

Mixed media collage

.

.

.

.

.

Corset

A geometric garment made from hand-painted canvas, partly hand-sewn and machine-sewn. The challenge was to design a costume for a Goth character making use of primary colors.

.

.

.

.

.

.

SYZYGY

Trans Pride Los Angeles presents SYZYGY, a gallery exhibition curated by Marval A. Rex on display at the Advocate & Gochi Galleries located at the The Village at Ed Gould Plaza during Trans Pride LA 2022, and beyond!

.

.

SYZYGY

Featuring an interdisciplinary cornucopia of artworks from Cade Moga, D Hill, Emily Lucid, Van Jazmin, Marval A Rex, and Yozmit.

.

.

SYZYGY

.

.

.

.

.

SYZYGY

Poem reads:

HA HA HAVE YOU EVER

SEEN

A ROCKET

SELF-SHATTER

AS IT ENTERS THE

ATMOSPHERE

[at the wrong angle]?

.

IS THE EARTH TO BLAME?

.

SYZYGY

Screening films by Cade Moga, D Hill, and Yozmit

.

.

.

.

.

.

Antropia Nacional

Essa mostra é resultado do trabalho de curadoria, entre 130 propostas, de obras de arte que discutem e tensionam aspectos antropológicos e históricos de populações em nosso país-mãe e os diversos elementos que compõem nosso imaginário cultural, com intuito de refletir sobre o cenário do fazer artístico contemporâneo no Brasil e estimular a profusão de novos nomes da cena artística.

Antropia Nacional

Corrupção Corporal um curta para a exposição coletiva Antropia Nacional

Galeria Plexi

São Paulo, Brasil

.

Antropia Nacional

Corrupção Corporal um curta para a exposição coletiva Antropia Nacional

Galeria Plexi

São Paulo, Brasil

Antropia Nacional

.

.

Antropia Nacional

Curadoria Gabriel Babolim

Montagem fina Erick Martinelli

.

.

.

.

.

.

Cat Call

.

.

personal lubricant + lipstick on bedding

cut into diaper

.

.

.

.

.

.

.

.

.

The Curse of Symmetry

Window installation for Coaxial Arts Foundation, Los Angeles.

.

.

I see myself

as I break out from my relentless swaddle

What have I become?

My wings are stained

with the eyes of the owl who haunts me

I have no insides

I am only a mirror

Let me walk the earth again!

Let me move my limbs without symmetry

There is no freedom in flight

I will never reach the fickle moon

I cannot live in shame

I choose the flame

.

.

.

.

.

.

.

.

Solitude's Crowded with Loneliness

Acrylic on transparency, craft paper

.

.

.

.

.

.

.

.

.

.

Kingdom

Phallic sex toys had gained a new uncomfortable meaning. I made casts out of them. The originals are unbreakable but the copies are frail. I reassembled the pieces, they resembled the ruins of a broken empire. At the highest tower, a vile of factory-made Testosterone. The base: cast from a toilet lid.

.

.

.

.

Prince

Acrylic on fabric on tennis racket + pearl

Phantasmagoria

.

.

.

.

.

.

.

.

The Clowns must pay 20

Photography on acetate, acrylic frame, used syringes

Phantasmagoria

.

.

.

.

.

.

.

One Child Policy

Photography on acetate, acrylic frame, used syringes

Phantasmagoria

.

.

.

.

.

.

.

.

.

.

Clowns

Colored pencil on paper

.

.

.

.

.

.

.

.

.

.

.

.

OFF

Cast of my foot. I had been purging my closet of accessories used throughout my life as a woman. I was convinced that I was no longer attached.

_

_

_

_

_

_

_

_

_

Porcoration

Acrylic on paper

.

.

.

.

.

.

.

.

Objects of Pleasure

After 8 years of having a pair of silicone prosthetics inside my breasts, I had them explanted. Both surgeries were performed by my father. I kept the prosthetics, they were branded with the word ‘Silimed’. Here, the explants perform as hamburger buns, cradling a raw beef burger patty. A cup of milk is being decanted.

_

_

_

_

_

I installed atop of it the silicone mammary implants that were inside me for 8 years.

_

_

_

_

_

_

The meat began to ooze and rot, Camille’s flowers wilted, and Sam’s limbless torso waited patient-ly.

Installed as part of the show ‘Objects of Pleasure’ which took place at Post Gallery, curated by Mabel Moore.

_

_

_

_

_

_

_

_

_

-

-

-

-

-

-

-

-

-

-

ice

-

-

-

-

-

-

-

-

-

Riding The Carousel With A Nose Bleed

My father always wanted a son. When I was 21 he re-married and produced a son. Portrait of my father holding my half-brother. Painted in strawberry jam + powdered sugar, preserved within resin.

-

-

-

-

-

-

-

-

-

-

-

-

-

-

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I was designated a space within the gallery to instal my work. I noticed this wall, which served as a dividing segment within the room. I requested an extra 8 inches of wall space: the edge of the room divider. I built a mirror mounted on wood to fit the edge. The mirror reflected my installation across the room: I often find myself in borders. Exhibited as part of the group show ‘We Are Making People’s Days as Much as We are Ruining Them” which took place at Otis College of Art & Design.

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